I'm an artist and researcher with primary focus on pointing out relationships between modernity, ecology and science-fiction. I usually organise my artistic practice around a main research node, where I try to create a wider network of connections with references around the central topic. I most of the time use seemingly different sources and avoid an illustrative interpretation of the themes. I rather re-create or re-narrate them in a personal manner. With my practice I have examined certain works of art and ideas with three aesthetic qualities: (1.) through the motifs and history of science fictional literature and vision, (2.) exploring the emergence of ecological awareness and its reinterpretations during the ‘long 20th century’ and (3.) critiquing the form of biomorphic representations. Among other things, I am interested in how the early ecological ideas and visual worlds, that in many ways defined the turn of the 19th and 20th centuries, were filtered through art and art theory of the time, into the formal language of fine art. My hypothesis is that many of the early modernist artists and thinkers who were concerned with combining biology, psychology, design and often ethnography, were in fact laying the foundations for an expanded ecological sensibility.