Eszter Kálóczy's (1994) art explores the dynamics of human relationships, with a particular emphasis on the challenges of inner development and self-awareness, and their impact on social integration and the development of individual relationships.
Her work often explores the pain of being human and its impact on development. Suffering, as a catalyst, represents a force through which the individual is able to develop deeper self-knowledge and new perspectives. Her works from the university thematise these ideas, showing the imprint of her inner journeys, where challenges and difficulties are not only trials but also opportunities for learning and development.
"From Esther I know that the reference range of her paintings is mainly non-painting. Primarily, she is inspired by films, literature, or music. She also highlighted Tarkovsky's films. It is interesting that this is inversely proportional, because Tarkovsky constantly refers to the visual arts as a source of inspiration. Tarkovsky calls the film time-sculpture, which is also an interesting parallel to what Esther calls her own particular mechanism of painting, image-carving [...] I think one of the things that links Esther's work to Tarkovsky is the very theme of the film Mirror. The fact that in the mirror or reflection we do not only see ourselves, but rather through ourselves, through the reflection of ourselves, we remember our previous reflections. We can also see the faces within us that operate independently of us reflected. Because it is important to stress that in Esther's paintings we do not see specific persons, but rather we meet archetypes." Adam Ulbert
The joint exhibition of Eszter Kálóczy (1994) and Kata Tranker (1989) guides us through real and imagined situations, emotional and bodily narratives, and dimensions that feel both familiar and unknown. It takes us far and deep—to spaces enclosed by walls, to archaic figures, fragmented memories, frozen faces—perhaps the former characters of our lives. We find ourselves both participants and mere observers of our own present and the coexistence of our existence in a parallel past.